Is there a diffrence between the ego change and the cardini change

Mark · 02-09-2011, 09:01 PM

The basic concepts are the same but the looks aren't. That is, comparing what we nowadays tend to call the 'Cardini Change' and 'Ego Change'.

The first source on those mechanics was written by George Pughe back in 1933. Later this year, Lance Charles published a similar move. Both of these so called passes were just used as controls though, as the term pass already suggests.

Then Richard Valentine Pitchford a.k.a. our beloved Cardini came in and used a similar idea as a color change, yet using very different finger positions and mechanics. This change was called the 'Snap Change'. Cardini's 'Snap Change' that is, of course not to be confused with Ed Marlo's. This was published by Jean Hugard, Arthur Buckley and Michael Ammar just to name a few.

In the meantime, James Steranko used Pughe's mechanics for a card steal which he published in 1960. Indeed, a steal, not a color change.

Decades later, Ray Kosby came up with the 'Coffin Change', an independent improvement on what he called the 'Cardini Change' but in which he actually used mechanics similar to the ones of George Pughe instead of Cardini's. He used it for a visual card to box effect, hence the name he gave it.

I believe Daniel Garcia was the first to publish Pughe's mechanics as an actual color change, calling it the 'Ego Change'. Unlike any of the earlier changes though, his isn't snappy and happens fairly slowly.

I suppose people like Ray Kosby started giving Cardini credits for it because Cardini was the first to turn the basic idea into a color change. By the looks it's also very similar for the differences are only to be found in the mechanics behind the cover. That is how it became known as the 'Cardini Change', which doesn't have all that much to do with Cardini's 'Snap Change', although without that creation he wouldn't have gotten the credits for it.

Nowadays, the difference between the 'Ego Change' and 'Cardini Change' is defined by the used fingers and the speed. The grip differs from person to person so you can't tell the difference by that. The Buck twins do the snappy, so called 'Cardini Change', Daniel Garcia does the slower, smooth 'Ego Change'.

Hope this clears things up. Oh, talking about clean-ups, these differ from release to release too. The all-around squaring up motion is the most common for the latter one though.

02-09-2011, 09:01 PM	#4
Mark Join Date: Feb 2010 Location: The Netherlands Posts: 935	The basic concepts are the same but the looks aren't. That is, comparing what we nowadays tend to call the 'Cardini Change' and 'Ego Change'. The first source on those mechanics was written by George Pughe back in 1933. Later this year, Lance Charles published a similar move. Both of these so called passes were just used as controls though, as the term pass already suggests. Then Richard Valentine Pitchford a.k.a. our beloved Cardini came in and used a similar idea as a color change, yet using very different finger positions and mechanics. This change was called the 'Snap Change'. Cardini's 'Snap Change' that is, of course not to be confused with Ed Marlo's. This was published by Jean Hugard, Arthur Buckley and Michael Ammar just to name a few. In the meantime, James Steranko used Pughe's mechanics for a card steal which he published in 1960. Indeed, a steal, not a color change. Decades later, Ray Kosby came up with the 'Coffin Change', an independent improvement on what he called the 'Cardini Change' but in which he actually used mechanics similar to the ones of George Pughe instead of Cardini's. He used it for a visual card to box effect, hence the name he gave it. I believe Daniel Garcia was the first to publish Pughe's mechanics as an actual color change, calling it the 'Ego Change'. Unlike any of the earlier changes though, his isn't snappy and happens fairly slowly. I suppose people like Ray Kosby started giving Cardini credits for it because Cardini was the first to turn the basic idea into a color change. By the looks it's also very similar for the differences are only to be found in the mechanics behind the cover. That is how it became known as the 'Cardini Change', which doesn't have all that much to do with Cardini's 'Snap Change', although without that creation he wouldn't have gotten the credits for it. Nowadays, the difference between the 'Ego Change' and 'Cardini Change' is defined by the used fingers and the speed. The grip differs from person to person so you can't tell the difference by that. The Buck twins do the snappy, so called 'Cardini Change', Daniel Garcia does the slower, smooth 'Ego Change'. Hope this clears things up. Oh, talking about clean-ups, these differ from release to release too. The all-around squaring up motion is the most common for the latter one though.